Teatro Libertad collection

MS 757

Collection dates: 1975-2014

About this collection

The Teatro Libertad collection, compiled by members of Teatro Libertad, is comprised primarily of scripts for plays and skits performed by the group between 1975-1985. These include both rough drafts of scripts, individual members’ annotated scripts, and final drafts of scripts. Also included are films of two plays, El Vacil De 76 and La Vida Del Cobre, in addition to promotional and supporting material comprised of brochures, flyers, news articles, and photos. The collection also has news articles about Teatro Libertad, organizational records, group photos, a songbook, background research material and technical information about the group’s plays.

Historical background

Teatro Libertad was founded in 1975 in the tradition of teatro Chicano, which came to prominence during the Chicano movement of the Sixties and Seventies. The troupe was influenced by the United Farmworker's affiliated Teatro Campesino and comedia del’arte street theater, political theater, the San Francisco Mime Troupe as well as the work of Bertoldt Brecht. Teatro Libertad wrote and produced full-length plays and a wide array of one act skits, and included musical performances as part of their repertoire. Their major productions were the plays Los Peregrinos(1975), El Vacil de 76(1976), Los Pelados(1977), La Jefita(1979), Semilla Sembrada (1981) and La Vida Del Cobre(1983). They were members of the international theater organization, TENAZ, and participated in many festivals, from New York to Mexico City to San Diego and Santa Barbara. Most of their performances took place in Tucson in the local neighborhood centers, but they also performed in mining towns for striking miners and for farmworkers in the fields. The teatro worked collectively to develop their plays and functioned as a collective. Members included Sylviana Wood, Barclay Goldsmith, Teresa Jones, Scott Egan, Arturo Martinez, Francisco Medina, Pernela Jones, Juan Villegas, Pamela Bartholomew, Lilliana Gambarte, Bob Diaz and a many others. The troupe was supported by grant funding and donations. It was an all-volunteer effort.

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